Monday, June 5, 2017

No Good Deed



I had the pleasure of watching 2014’s ’No Good Deed’ and I must comment that my first thoughts were that it was uplifting to see a strong female lead on screen, and see two people of color do a magnificent job. I enjoyed the high film quality of this film, the camera techniques, frames, shots and climatic music. 

Putting those those things aside, I must divulge that the thriller became less authentic or believable because of the perpetual amount of upper-cut-swipes English heartthrob Idris Alba endured by our fearless super-hero of a mother played by Taraji P. Henson. I had a strong inkling this film was written by a woman, and I was right. 

Written by  Aimee Lagos, who also wrote ’96 minutes’ and ‘Underground’, this story although solid, seemed to give off the essence of ‘let’s bash men for the century’ as there weren’t any positive images/roles of any men in this film. The only other man that had most screen prescence after our two main characters would be Henry Simmons who played our main character’s husband. Before he even came into frame the audience was told we should be suspicious of or hate him. 


This was my interpretation of the film; however it can easily be flipped to mean the opposite that our unstable escaped convict played by Elba, was actually the one who had immense hate for women, and this was an ode to all women fighting back. No matter your take on this film; it is definitely worth a watch. With an estimated budget of $13 million USD it grossed $52 million USD back at the box-office and garnered 2 nominations and 2 wins that year!





Just Dance



** Don't stop laughing, don't stop dancing, don't stop being inspired.
This is YOUR life - make it count! You're alive...so get up, and DANCE :))

Style & Beauty in Film



What does style and beauty bring to our viewers in the world of film? To correctly dissect the true meaning of the effects brought to our audience based on style and beauty we must go back to the history of story-telling and the inertia generated through our history’s ever-changing view of vogue and allure. Here are our top 5 reasons of how style and beauty is forever attached to cinema.

1. Why we Love Wigs:
No-one has to defend themselves for wearing their toupee’s or colorful hair extensions. People wear wigs for multifarious reasons. Some happen to be rock-stars, others lose their locks due to genetics or stress and some still wear them discreetly due to hardships of their time. Did you know that in the 17-1800’s due to poor hygiene as well as diseases like syphilis which caused rashes, sores and baldness, many people opted to wearing wigs? Not only was it easier to care for in the event of warding off insects like lice, but it was kept clean and fragrant by various practices, which at the time proved to be easier, as running water and shampoo weren’t invented or present as yet.

It was said that King Louis XIV of France in 1655 was one of the first to hire wig-makers to save his reputation after he began losing his hair. Years later in neighboring countries, others began to do the same. It began to percolate to the upper-middle class and middle-class and it was associated to a higher-status if one could afford or own wigs. ‘Le Voyage Dans La Lune’ - ‘A Trip to the Moon’, the world’s first film written, directed and produced by French, Georges Méliès clearly reflects the use of cinematic fantasy, style and discovery and as a result there were many scenes depicting actors wearing wigs. 

Biopics to follow illustrate the use of wigs during that time, as well as the magnificent outcome and response given to characters with mermaid-flowing, spouting locks. No matter the color, length, or cut, movie-goers love seeing and feeling a thick head of hair, and its because of this film-makers continue to commemorate this sentiment of wig worship.

2. Beauty equals Pleasure:
The sensitivity of whatever one deems to be beautiful is a direct manifestation of satisfaction or pleasure. Beauty can inhabit human, creature, art, building or something more spiritual. It is evident from the first time we began telling stories that we presented a continual pattern that supported merit and triumph if one was ‘a thing of beauty’. Whether that meant beautiful in face, or beauty in virtues, success, attainment and realization came to those who possessed that quality of beauty. 

Through the ages in motion pictures we have steadily seen the blueprint of bliss told time and time again in different tales. ‘Beauty and the Beast’, ‘Black Beauty’, ‘Beauty Shop’, 200 Pounds Beauty’, ‘Sleeping Beauty’, and ‘American Beauty’ are all examples of screenwriters molding hope into the mind of all those gathered. If our main character doesn’t possess beauty, it’s okay if they work hard towards their goal, they will find that beauty in the end. As a result film-makers fabricate beauty in all senses of the word, from actors, wardrobe, and right down to the tiniest details.

3. Different Strokes for Different Folks:
Early story-tellers understood that every story wouldn’t appeal to every listener and so to become an expert and endeared minstrel they had to give specific changes at specific times to create definitive gratification. In the world of film, recognizable film styles and techniques were born and it created not only admirers but devotees to distinct strains of cinematic. 

We are complicated beings and in order  to reach the masses and share positively a message, emotion or vision, using different styles to appeal to different people is only a predictable solution. ‘French New-wave’, ‘German Expressionism’, Soviet Montage, ‘Italian Neorealism’, ‘Film Noir’, ‘Science-Fiction’, ‘Action’ and ‘Drama’ are all groups of styles that question, and communicate to the immensity of the earth. Sound, dialogue, attitudes, cinematography or the mise-en-scène, are elements used to move a film from just popular to cult-classic.

4. La Classe:
Fashion proves to be one of the most fundamental ingredients in making a movie stand above the others. It isn’t by any means mandatory, but if it is an integral piece, it demonstrates and warrants added rapture. Fashion doesn’t have to be complex; it can in some cases be as simplistic as a reflex of sensibility. Just as ‘beauty’, ‘style’ and ‘genre’ titillate our consciousness, so too can fashion. 

Be it heels, feathers, pastels, or Feng-shui; fashion helps promote an unfathomable understanding of behaviors and moving image. The history of the fashion of film is a well-talked about topic and some have even went as far as creating festivals for the celebration and homage of all the fads of film; a cultism in it’s own right!

5. Trendsetting:

The influence of style and fashion on film is unmistakable but we must not forget that film has mirror magnetism. From ‘Halloween Costumes’ to flat out ‘Wedding Gowns’; film has inspired fashion-designers and trends since the very beginning. If an outward appearance can make a person feel or behave in a different way; this is the same appeal that captivates a designers sketches or a person’s wardrobe after watching a film. From ‘Saturday Night Fever’, to ‘Breakfast at Tiffany’s’ or ‘Sex-in-the-City’, it all goes to show that with the right story, emotion or sensitivity, a film can be much more than moving images on a screen. 








Friday, March 24, 2017

Deidra and Laney Rob a Train



This 2017 Netflix Original Comedy/Crime/Drama was not at all what I expected. Besides, the surprisingly diverse cast, there were a number of well-known names attached to this project. Sasheer Zamata (Saturday Night Live), Missi Pyle (Big Fish, The Artist, Gone Girl, Charlie and the Chocolate Factory), and Danielle Nicolet (Central Intelligence) to name a few. Written by Shelby Farrell and directed by Sydney Freeland, both women who have not worked on a copious amount of projects, it was a collaboration that flowered empowerment and aspiration despite the malfunctioning of family-life.

Starring new and promising actors, Ashleigh Murray and Rachel Crow who played our main characters Deidra and Laney respectively, the story was one that kept viewers wondering if and when they would get caught. Great acting, superb music and clean enough story, it’s a worthy film the whole family could enjoy!


Besides terrible casting, as not one family member in my opinion looked a minuscule resemblance of the other, I found the film to be excellent for teens and the younger crowd, as they could relate with the teens rebellious spirits but also master boosting their confidence and ambitions when they need to. I also feel that this story paid homage to the late, great Harriet Tubman, in an unspoken and special way.


Due Date



Zach Galifianakis does a wonderful job at playing ‘the friend who nobody wants to be friends with’! He played expertly that sort of friend in ‘The Hangover’ movie series and he does the same in 2010’s ‘Due Date’ starring alongside Robert Downey Jr. 

Directed by Todd Phillips whom also directed Zach him in the ‘Hangover’ movies it was easy to see him continue in his essential aggravating nature. Nominated for 6 awards that year and joined by an all-star cast including: Danny McBride, Juliette Lewis, Jamie Foxx, Michelle Monaghan  to name a few, it was easy to see that this film would be a block-buster as did his other projects before. With a budget of $65 million USD they were able to easily gross $100 million USD a few months later.


This dramatic comedy had all elements of unbelievable antics that effortlessly translate into a wave of hilarity. If you’re expecting something different from the ‘Hangover’ series, you’d want to snatch another picture; but if you’re in the mood for something closely equivalent then pop this film in for a ‘free from doubt’ whoop of fun!


Sin Filtro



I’m happy to say these days I’ve been getting greater access to seeing many more European films. While for me, they furnish my mind with a mass of refreshing content, I do still enjoy to sit back and just be “entertained” with fluff pieces as well. One such enjoyable piece would be the film ‘No Filter’ or ‘Sin Filtro’ as it was labelled in it’s home town of Chile. Written by Chilean Diego Ayala and directed by Chilean Nicolas Lopez, it was a film that was true to today’s questionable addiction to social media and any and everything technological. 

Fast-paced and playful, our audience followed our main character ‘Pia’ played by Chilean Paz Bascunan as she clumsily meandered through the weight and trials of life and aging. Her strife, which would be quite relatable for many, easily delivered the punch of comedy our filmmakers would have intended. It wasn’t difficult to wrangle our minds around the daily clashes and hassles our leading lady had to endure.


With a run-time of 100 minutes and produced by Sobras International Pictures, this movie was a light-hearted perspective on how we all can exist and persist during these changing and high-tech times!

Friday, March 3, 2017

Imperial Dreams



Before English John Boyega reached super stardom in 2015 with the American franchise ’Star Wars: The Force Awakens’ as one of the main characters; he was the leading man in an independent film called ‘Imperial Dreams’in 2014. Garnering 2 nominations and another 10 wins that year, this Drama really shed light on the struggles of young African-American men who live in the ghetto. Boyega’s journey stirs the audience, feeds them inspiration and builds immense vitality when we see how courageous he really is! 


Written and directed by Malik Vitthal, and starring also the multi-talented KeKe Palmer, this film has a lot of punch and isn’t the usual conclusion. The ending was a bit abrupt for me, and it was a bit reminiscent of 'The Pursuit of Happiness' starring  Will Smith and his son Jayden Smith, but all in all, it was good to see more of a positive story coming from public squalor.

Another one down in the 'Netflix Originals' books!