Showing posts with label christopher walken. Show all posts
Showing posts with label christopher walken. Show all posts

Sunday, July 21, 2013

Pulp Fiction




It's nice to take a trip down memory lane, especially when Tarantino is involved. In 1994, both Quentin  and Robert Avary brought us short fictional stories of crime, drama and thrilling moments by a most appealing cast, John Travolta, Samuel L Jackson, Uma Thurman, Christopher Walken, Bruce Willis, Rosanna Arquette, Phil LaMarr, Ving Rhames and many many others. Laced with the usual violence, heavy drug-use, obscene language and graphic sexual situations; this wildly provocative film won an Oscar that year and another 59 wins and 46 nominations.

With a run-time of 154 minutes, you would think that the audience would lose interest and fast, but this never happens in Tarantino films, because even though the destructiveness may get to you, the dialogue always saves because it is filled of wit, intensity and wisdom. The shots are always unusual, and viewers are vehemently reminded of the passion that went into making these movies.

Tarantino keeps the heart pumping and you on the edge of your seats, he knows what people want and if you're into action, you'll never be dissatisfied. In Los Angeles, there are people who make movies, and then there are people who tell stories so expertly that hit-men, boxers, bandits and gangsters all have lives that intertwine believably.

Tuesday, July 16, 2013

The Late Quartet




Beautiful classical music is to be expected in this 2012 film, but explosive emotions and secrets ablaze is what takes the audience off guard. Written by Seth Grossman and Yaron Zilberman this story is far from predictable and shows how after years of dedication and loyalty one slight change of a paddle overturns the boat.

Directed delightfully as complicated and intricate as a Beethoven's piece by Yaron Zilberman and showcasing classic and talented actors like timeless Catherine Keener, attention-grabbing Christopher Walken, smooth Philip Seymour Hoffman, Ukranian Mark Ivanir, and younger talent English Imogen Poots and Liraz Charhi. Bringing a wealth of depth besides its music; viewers journey with the character's troublesome desires, fears, lusts and resentments all in a neat 105 minutes.

With a meager budget of $75 thousand USD, in a few short months were able to accumulate over $1 million USD back. Beautifully shot and thought-provoking in so many ways this is a story that is worth seeing, even if sitting in the middle seat on an airplane.